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Martin's
Photo Shop (P 0129)
In April 1984 Kenneth Martin donated 500,000 negatives and prints
to the Indiana Historical Society Library. The collection documents
everyday life in Vigo County from 1921 to 1975, showing fashions,
modes of transportation, and civic and social events. Because the
Martins followed strict technical standards the images are still in
good condition. We are slowly creating a representative online collection.
The digitization of this collection is a work in progress. |
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W. H. Bass
Photo Company (P 0130)
The W. H. Bass Photo Company Collection comprises approximately
200,000 items, including more than 144,000 black-and-white negatives
and 20,000 photographic prints. Perhaps the company's 1906 city
directory advertisement best describes the surviving collection:
"Photos of Any Thing, Any Where, Any Time." These historic
pictures of Indianapolis were made between 1903 and 1971. The collection
is strong in architectural images, street scenes, aerial views,
and transportation. The digitization of this collection is a work
in progress. |
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Full Description
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W.H. Bass
Photo Company--Indiana Rail Transportation Images (P 0130)
This online collection's focus is the history of public transportation
in Indiana, from mule-drawn streetcars and steam trains to electric
buses and diesel trains. Union Station, the Traction Terminal, small-town
depots, and other facilities are also depicted. |
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W. H. Bass
Photo Company--Pamela Tranfield Memorial Collection (P 0130)
This portion of images from the W. H. Bass Photo Company Collection
consists of all of the scans originally accessible through the Library’s
online catalog. There are over 12,000 digital images in this collection
but only minimal descriptive information.
The change in access to these images was prompted by a desire to
have all digital images accessible through a single interface and
to allow for searching across all digital collections.
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Mary Lyon
Taylor (P 0178, P 0281)
Taylor was influenced by photography magazines and probably
by photographic exhibitions held at the nearby John Herron Art Institute.
Her photography work is classified as “pictorialist”
style, an artistic photographic genre characterized by its soft-focus
appearance. Family and friends posed for her in her upstairs drawing
room parlor. Taylor’s models, usually women and children,
were posed artistically, often holding open books, or flowers.
For more information on Mary Lyon
Taylor please see the following article: Mary
Lyon Taylor, Traces, Winter 1994 (PDF) |
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Collection
Guide
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O. James Fox
(P 0266)
With his poems and photographs, O. James Fox poignantly depicted
what he saw as he served as an eyewitness to one neighborhood in Indianapolis
during the post-World War II period. Although urban renewal and an
interstate belt have altered and demolished the physical structures,
Fox's work bears witness to an era and a community. |
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Panoramic
Photograph Images
Cirkut cameras were invented in
the late 19th/early 20th centuries to enable photographers to take
panoramic photographs of scenery and large groups of people. Indiana
photographers were hired to take pictures of family reunions, the
Indianapolis 500 Mile Race, military encampments, company picnics,
conventions, church congregations, etc. This is a growing collection
of panoramic images taken by different Indiana photographers. |
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Bretzman
Photograph Studio (P 0338)
Charles F. Bretzman was a partner in
the photo company Koehne & Bretzman of Chicago, Illinois. He
may have come to Indianapolis in 1900, although he does not appear
in city directories as a photographer until 1902. Charles’
earliest studios were located at 142 South Illinois Street (1902)
and 22 ½ North Pennsylvania Street (1905). It was while Bretzman
was in this studio that he became the first official photographer
for the Indianapolis 500-Mile Race. It was also in this studio that
the Bretzman family began its long professional relationship with
a young local photographer named Harry E. Clark. |
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Cephas M. Huddleston
Glass Plate Collection, ca. 1890
(P 0159)
Cephas M. Huddleston spent most of his
life in Henry County, Indiana. The images in the collection depict
the Spiceland Community. The Hoover Block, Spiceland Academy, Spiceland
Sanitarium, train depot and Stigleman Manufacturing Company are
among the landmarks shown.
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Herman List Collection
(P 0017)
Herman List was a cook at the National
Surgical Institute in Indianapolis in the late 1890s. Photography
was his hobby and he took pictures of staff and patients at the
Institute as well as pictures of his family at home. Some of the
staff pictures are humorously posed. |
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J.C. Allen and
Son Collection, 1926-1952 (P 0490)
John Calvin Allen began his photography
business in Tippecanoe County in 1912. His son, Chester, joined
him in 1929 and the company became know for their agricultural subjects
and excellent photography. This collection was donated by the Center
for Agricultural Science and Heritage in Indianapolis, Indiana and
includes images of the Indiana State Fair taken by the Allens from
1926-1952. The twentieth century witnessed the debut of 4-H in 1912
and the Better Babies competition in 1920. The fair was canceled
in 1942 due to World War II. All images were taken at the Indiana
State Fair unless otherwise noted.
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